mixed metal leaf, oil paint on wood
16 × 20
framed size: 18 × 22
From the Masterwork Series |
Note * Though not a small work, because it was done as a master study, and carries the same sky frequency, I had to include it in The Founders Release and let you encounter it here, with it’s sister pieces.
This painting began with obsession.
A composition by Ed Mell caught me — and while the final piece looks almost nothing like his, his vision opened the door.
I believe in honoring the creative field — the joined energy that flows between artists, between works, across time.
In the Pink Middle is my response.
Striations of cloud descend like shadow, while behind them, a cut of pink to red glows like a window into something else. Somewhere else.
The earth is present — there’s foreground, mountain, form, always leading you up to the story in the negative space.
That place where light leaks.
Where the sky isn’t quite gone yet.
It’s the pink middle I keep chasing —
The exhale when day pauses and turns to night.
mixed metal leaf, oil paint on wood
16 × 20
framed size: 18 × 22
From the Masterwork Series |
Note * Though not a small work, because it was done as a master study, and carries the same sky frequency, I had to include it in The Founders Release and let you encounter it here, with it’s sister pieces.
This painting began with obsession.
A composition by Ed Mell caught me — and while the final piece looks almost nothing like his, his vision opened the door.
I believe in honoring the creative field — the joined energy that flows between artists, between works, across time.
In the Pink Middle is my response.
Striations of cloud descend like shadow, while behind them, a cut of pink to red glows like a window into something else. Somewhere else.
The earth is present — there’s foreground, mountain, form, always leading you up to the story in the negative space.
That place where light leaks.
Where the sky isn’t quite gone yet.
It’s the pink middle I keep chasing —
The exhale when day pauses and turns to night.